<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6387090132254161710</id><updated>2012-02-17T03:26:33.508+13:00</updated><category term='Jazz'/><category term='Samsom Nacey Haines; Open to Suggestions'/><category term='Maurice Lye; Only God Can Make a Tree'/><category term='Heart Mountain'/><category term='photography'/><category term='&quot;The QI Book of the Dead&quot; review'/><category term='Luxury'/><category term='social documentary'/><category term='book review'/><category term='Bireli Lagrene'/><category term='Martin Parr'/><category term='Nico Soffiato; Just Add Water; jazz'/><category term='Richard Smallfield'/><category term='Jazz Guitar'/><category term='Myra Melford'/><category term='Tanya Kalmanovitch'/><title type='text'>EV+1</title><subtitle type='html'>Shedding light on underexposed books, music, photography and more ...</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-8643146501692897289</id><published>2012-01-08T11:57:00.001+13:00</published><updated>2012-01-08T12:21:25.062+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Samsom Nacey Haines; Open to Suggestions'/><title type='text'>Samsom Nacey Haines Trio: Open to Suggestions</title><summary type='text'>I should preface this review with the embarrassing confession that I know more about the New York jazz scene than that of my own country. However, this prompts the comment that fans of accomplished guitar ensembles on the New York scene, such those of as Adam Rodgers, Gilad Hekselman or Steve Cardenas, will find a lot to admire about this trio.

Recorded in 2008, Open to Suggestions was the </summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/8643146501692897289/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2012/01/samsom-nacey-haines-trio-open-to.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/8643146501692897289'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/8643146501692897289'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2012/01/samsom-nacey-haines-trio-open-to.html' title='Samsom Nacey Haines Trio: Open to Suggestions'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-u39jPBd_zV8/TwdxaOSEgRI/AAAAAAAABcM/e8juxXzg82A/s72-c/open-to-suggestions.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-124734405780397019</id><published>2011-11-30T17:19:00.041+13:00</published><updated>2012-01-28T12:47:49.131+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Maurice Lye; Only God Can Make a Tree'/><title type='text'>Maurice Lye: Only God Can Make a Tree</title><summary type='text'>If I were to choose one word to describe this book containing twenty-five examples of Maurice Lye's photography, it would be charm.


Maurice has stated: I enjoy and respect the many ways people create, beautify or arrange their surroundings, the passion, love and sometimes a bit of madness which goes into many of the subjects in this book. All the photographs were taken as the scene presented </summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/124734405780397019/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/11/maurice-lye-only-god-can-make-tree_30.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/124734405780397019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/124734405780397019'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/11/maurice-lye-only-god-can-make-tree_30.html' title='Maurice Lye: Only God Can Make a Tree'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-uaF1iUaDUJg/TtWup6Hd8OI/AAAAAAAABYw/PRQUbcqk404/s72-c/maurice_lye_ogcmat.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-2739021142586840746</id><published>2011-10-23T16:56:00.006+13:00</published><updated>2011-10-23T20:42:35.595+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Myra Melford'/><category scheme='http://www.blogger.com/atom/ns#' term='Heart Mountain'/><category scheme='http://www.blogger.com/atom/ns#' term='Tanya Kalmanovitch'/><title type='text'>Myra Melford and Tanya Kalmanovitch: Heart Mountain</title><summary type='text'>The art of conversation is mostly about listening, whether conversing verbally or by playing notes. A fluent and empathetic conversation between viola and piano (or occasionally harmonium), mostly in the form of free improvisation, Heart Mountain is a rare album that stands apart from the crowd; one which stopped me in my tracks. 

Although almost all of it is freely improvised, in terms of 'feel</summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/2739021142586840746/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/10/myra-melford-and-tanya-kalmanovitch.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/2739021142586840746'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/2739021142586840746'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/10/myra-melford-and-tanya-kalmanovitch.html' title='Myra Melford and Tanya Kalmanovitch: Heart Mountain'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-S6mwK--MBW8/TqPEpw2qdvI/AAAAAAAABX4/R9t1hKLNpec/s72-c/HeartMountain.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-3417325739279433497</id><published>2011-09-20T08:52:00.005+12:00</published><updated>2011-09-24T14:13:38.053+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nico Soffiato; Just Add Water; jazz'/><title type='text'>Nico Soffiato Quartet: Just Add Water</title><summary type='text'>Every year, a few albums stand out from the rest, getting replayed repeatedly, both on the stereo and in my head. Just Add Water is one of these – an album which could prompt a much longer discussion than is possible here.

Nico Soffiato studied philosophy in Padua, where he grew up; he then continued his studies at UC Berkley, before deciding to change his focus to music and studying at Boston's</summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/3417325739279433497/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/09/nico-soffiato-quartet-just-add-water.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/3417325739279433497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/3417325739279433497'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/09/nico-soffiato-quartet-just-add-water.html' title='Nico Soffiato Quartet: Just Add Water'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-F-GZ4v55xmM/TnernFjdiVI/AAAAAAAABXk/bRsbmqHCtVw/s72-c/NicoSoffiato_JustAddWater.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-5579215536848346263</id><published>2011-09-03T13:01:00.003+12:00</published><updated>2011-09-24T14:15:25.509+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Luxury'/><category scheme='http://www.blogger.com/atom/ns#' term='Martin Parr'/><title type='text'>Martin Parr: Luxury</title><summary type='text'>

Martin Parr: Galway Races Festival, Ireland, 1997
Documentary photographers have traditionally been drawn to adversity: deprivation, crisis and aftermath; less often have they looked at the privileged. 

In Luxury, Martin Parr's eye cuts like a laser through artifice as he looks at the global culture and adornments of wealth. I say culture, because this book left me with the impression that </summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/5579215536848346263/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/09/martin-parr-luxury.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/5579215536848346263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/5579215536848346263'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/09/martin-parr-luxury.html' title='Martin Parr: Luxury'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-gyUjp8T--Z8/TmF7jRYi5UI/AAAAAAAABXA/sC9X1ug2fhA/s72-c/MartinParr_GalwayRacesFestival-Ireland1997.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-2274260861461457456</id><published>2011-08-28T15:55:00.031+12:00</published><updated>2011-10-23T20:46:03.381+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='&quot;The QI Book of the Dead&quot; review'/><title type='text'>John Lloyd and John Mitchinson: The QI Book of the Dead</title><summary type='text'>Squeezing 60 mini-biographies into about 400 pages, The QI Book of the Dead is written in a very readable, Brysonesque tone; the brevity of the biographies makes them perfect for idle moments.

The Dead, ranging from saints and geniuses (Florence Nightingale, Nikola Tesla) to scoundrels (Titus Oates), are thematically arranged in chapters with titles such as: 'Nothing Like a Bad Start in Life', '</summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/2274260861461457456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/08/qi-book-of-dead-by-john-lloyd-and-john.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/2274260861461457456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/2274260861461457456'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/08/qi-book-of-dead-by-john-lloyd-and-john.html' title='John Lloyd and John Mitchinson: The QI Book of the Dead'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-wvwI2dEaUWM/TlnAAxtN1KI/AAAAAAAABWs/VAAn_cksRPY/s72-c/QI+Book+of+the+Dead.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-6878374162152115772</id><published>2011-08-21T13:03:00.011+12:00</published><updated>2011-09-24T14:21:00.136+12:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Richard Smallfield'/><category scheme='http://www.blogger.com/atom/ns#' term='Jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='Jazz Guitar'/><category scheme='http://www.blogger.com/atom/ns#' term='Bireli Lagrene'/><title type='text'>Bireli Lagrene: Standards</title><summary type='text'>It is with trepidation that I review this album, as no words I can contrive will do it justice.

Some recorded performances are so insightful and virtuosic that they redefine a work and for the listener, become as important as the notes penned by the composer. A few spring to mind, for me at least, such as the performances of the Miles Davis Quintet on Round About Midnight (1956). Similarly, at </summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/6878374162152115772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/08/bireli-lagrene-standards-1992-blue-note.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/6878374162152115772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/6878374162152115772'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/08/bireli-lagrene-standards-1992-blue-note.html' title='Bireli Lagrene: Standards'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-83pWPumy4VQ/TlBYLquwNmI/AAAAAAAABVw/9jI0ZMvdA_c/s72-c/Bireli-Lagrene_Standards-Cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6387090132254161710.post-514784898523057598</id><published>2011-08-17T14:08:00.018+12:00</published><updated>2011-10-23T20:46:49.691+13:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Richard Smallfield'/><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='book review'/><category scheme='http://www.blogger.com/atom/ns#' term='social documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='Martin Parr'/><title type='text'>Parr by Parr - Quentin Bajac meets Martin Parr - Discussions with a promiscuous photographer</title><summary type='text'>
A must for any fan of social documentary photography, Parr by Parr – Quentin Bajac meets Martin Parr – Discussions with a promiscuous photographer; Schilt, 2010, is an extended interview in book form.

Able to be read in a sitting or two, this book explores Martin Parr's beginnings, his motivations, methods, the evolution of his subject matter and means of presentation, as well as delving into </summary><link rel='replies' type='application/atom+xml' href='http://evplus1.blogspot.com/feeds/514784898523057598/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://evplus1.blogspot.com/2011/08/book-review-parr-by-parr-quentin-bajac.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/514784898523057598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6387090132254161710/posts/default/514784898523057598'/><link rel='alternate' type='text/html' href='http://evplus1.blogspot.com/2011/08/book-review-parr-by-parr-quentin-bajac.html' title='Parr by Parr - Quentin Bajac meets Martin Parr - Discussions with a promiscuous photographer'/><author><name>Richard Smallfield</name><uri>http://www.blogger.com/profile/03699954775108018666</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/-BI5S9LIe4ZA/TwpTfu7PH2I/AAAAAAAABcg/wkM4gtQIHew/s220/20120109-49-Self-Portrait-Classical-Guitar.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-N-8gySNBHZI/Tk7Vr5VE3mI/AAAAAAAABVo/HjDYFb4YBcg/s72-c/Parr-by-Parr.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
